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In Joe Black however, the very opposite is true, Newman leaving any and all oddness behind and crafting possibly the loveliest symphonic work of his career. Of course, when Newman steps out of his comfort area, it invites a different way of thinking, seeing as he's more comfortable with unusual, intimate ensembles. Meet Joe Black was the second collaboration between Brest and composer Thomas Newman (after "Scent of a Woman") and the composer was clearly inspired to step out of his comfort area by the romantic nature of the story. Of course, it doesn't take long before the Grim Reaper experiences genuine human emotion when he falls for Hopkins' daughter (Claire Forlani), all the while preparing to take the businessman into the beyond. In the film, Brad Pitt (doing Brad Pitt) appears as Death incarnate, on Earth for a sightseeing tour with Hopkins' ailing tycoon as a guide. This is especially frustrating because fleeting moments and individual performances (predictably Anthony Hopkins) are very moving, but are hamstrung by the leaden pacing.
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Quite likely the record holder for those who attend a film just to see a trailer beforehand (in this case The Phantom Menace teaser), Martin Brest's overlong remake of Death Takes a Holiday suffers under its own self-importance. I don't know what other references Thomas Newman has as a composer, but I'm looking forward to listen to some more of his works.Meet Joe Black - soundtrack by Thomas Newman
EVERYWHERE FREESIA MEET JOE BLACK SOUNDTRACK MOVIE
There is nothing else left to say about this, one must make the experience for himself! This is unequivocal a work of art a so far not reached masterpiece, which captures the whole beauty of the movie marvellous good with its harmonic ecstatic melody. That Next Place (the big finale in the midth of the fire work show) 11/10
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Someone Else (soft violin strives) 10/10ġ9. Cold Lamb Sandwich (main theme - but only with violins and piano) 10/10ġ7. Whisper Of A Thrill (the sex scene between Barbie and Death) 9/10Ĩ. To mention a couple of them, I mostly liked the main theme and its variations:Ħ. <-this plot must not meet everyones taste or expectations to a 08/15-US-movie-romance! But in the center of focus for now is the score and this one I can only recommend as mostly scores completely drown within the intenseness of a movie but in this case the movie wouldn't be what it is without those soft violin strives and the sensitive accompaniment of the piano sounds. Death sneaking in someone else's body and our stereotyped Barbie, who both fall in love with each other, but cannot be together forever, so he breaks her heart, kills her father and then sends back the old inhabitant of this body, and so on. And I cannot begin to tell how amazed and sad at once I was - amazed by the talent a composer can ever carry (Thomas Newman turns out to be a god) and deeply sad about how I could ever miss this beautiful composition for so many years (that's inexcusable)! This truly is - without exaggerating anything - one of the greatest and most affecting orchestral scores ever written for a movie!!! Everyone who listens to the score, even without having watched the movie at first, will know what I mean! This beautiful album of instrumental tracks I would highly recommend to try for yourself with no need for the DVD at all! The movie is a typical fantasy romance with Mr. But with score it's like with everything else: You must make the experience yourself! And so will the movie of "Meet Joe Black" has been recently shown on television. I admit I'm a little late concidering the release date and this soundtrack is way too good to have never heard of it.